Sculpture in the 19th century
New Zealand sculpture in the 19th century was mainly in a European style. Major public sculptures were often made overseas and imported. These included four statues of Queen Victoria in Auckland, Wellington, Christchurch and Dunedin, which all date from around 1900.
Early 20th-century sculpture
Memorials commemorating the South African War and the First World War provided opportunities for sculptors. Carlo Bergamini, an Italian immigrant, designed South African War memorials in the lower South Island which included some New Zealand motifs. One of these was Zealandia, a female personification of the country.
Other sculptors began to include New Zealand subjects, for example an ANZAC soldier, Māori navigator Kupe and a ‘Māori Madonna’. However, the style of sculpture remained traditionally European.
Art teacher Francis Shurrock worked to raise the status of sculpture, which had been seen as a lesser art than painting, and R. N. Field began to make sculpture in a less realist style.
Early modern sculpture
In the 1950s an exhibition of work by British artist Henry Moore introduced many New Zealanders to modernist sculpture. Some important New Zealand modernist sculptors were Molly Macalister, Russell Clark, Paul Beadle and, later, Greer Twiss.
In the late 1960s Jim Allen became New Zealand’s first ‘post-object’ artist. He created art installations out of ordinary materials such as wire and polythene, which people could move through. Christine Hellyar’s installations were subtly feminist, for example ‘Country clothesline’ (1972), which was made of items of clothing dipped into latex and hung on a washing line.
Sculpture from the late 20th century
Sculptors who emerged in the late 20th century include:
Terry Stringer, who in 2013 ran a sculpture park from his home near Warkworth
Paul Dibble, who designed the New Zealand Memorial in London
Neil Dawson, who makes large-scale abstract metal constructions
Jeff Thomson, whose works are made of corrugated iron
Chris Booth, whose sculptures are usually made of stones or wood and are often set in the landscape the materials came from.
Māori sculptors work in a variety of styles, and some draw on their cultural heritage in their work.
Arnold Manaaki Wilson, the first Māori to graduate from art school (in 1953), was inspired by Māori woodcarving traditions. Jacqueline Fraser used non-traditional materials such as wire and plastic, but with Māori motifs.
Michael Parekowhai represented New Zealand in the 2011 Venice Biennale. He has drawn on New Zealand’s Māori and European heritages in his work.
Addendum: Te Rongo Kirkwood is based in Auckland and is known as a New Zealand sculpture artist, and for her glass art.
Public impact of sculpture
Len Lye is best known for his kinetic (mechanically moving) sculptures, some of which have been erected in public places. His ‘Wind wand’ is on the New Plymouth waterfront.
In the early 2000s several sculpture events were held regularly. A number of sculpture parks were open to the public, and sculptures are displayed in public places in cities and towns.
Mark Stocker, ‘Sculpture and installation art’, Te Ara – the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/sculpture-and-installation-art (accessed 18 May 2020)